Conferences
Markova, L (2024)
Immersive Experiences and Synaesthetic Abstraction – Dreamachine by Collective Act. In
Music and the Moving Image MaMI New York University NYU Steinhardt, NYU, New York.
Markova, L (2023)
Preserving Immersive Experiences – industry-led and audience-generated approaches within Audience of the Future (AoTF) and Unboxed. In
DRHA 2023 Performing Cultural Heritage in the Digital Present, University of Turin, Italy.
Markova, L (2023)
Immersive Storytelling & Inclusive Innovation - Unboxed: Creativity in the UK. In
MIX 2023 Storytelling in Immersive Media, British Library, London.
Markova, L (2023)
Media Ecologies of Creative Innovation. In
Media Ecology Association MEA 2023 Conference, Fordham University, New York.
Markova, L (2023) Immersive Experiences for an Inclusive Digital Culture. In
British Academy ECR Culture and Heritage in the Digital Age, The Exchange, University of Birmingham.
Markova, L (2023) Creative Innovation in Live Experiences and Festivals. In
INN2023 (Per)forming Innovation, OBI Media Observatory, NOVA University, Lisbon, Portugal.
Markova, L (2022)
Sustainable and Inclusive Innovation in Unboxed: Creativity in the UK. In
DRHA 2022 Digital Sustainability: From Resilience to Transformation, Kingston School of Art.
Markova, L (2022)
Leonora Carrington On and Off Screen: Cinematic Migrations between Mexico and the UK. In
WSSXI Women, Cinema and World Migration, Columbia University, New York.
Markova, L (2021)
Virtual Empathy in the VR experiment The Machine to be Another. In
BEYOND 2021, Belfast.
Chapters
Markova, L (2025)
Transcoding Migration: On the
Transcultural Aesthetics of Socially Engaged
Creativity across Europe. In Fusillo, M, Legge, D, Lino, M, Petricola, M, Rossini, G (ed)
New Approaches to Transcodification.
Literature, Arts, and Media, De Gruyter Brill, pp.337-347, ISBN: 9783111636122. DOI:
10.1515/9783111636122-031.
Markova, L (2025)
Preserving Immersive Experiences as Transformative Museum Experiences. In Calvi, L, Vermeeren, A, Sabiescu, A (ed)
Transformative Museum Experiences, Springer Cham, pp.100-118, ISBN: 978-3-031-89520-3.
Markova, L (2025)
Virtual production and the future of live performance: Intermedial trajectories of expanded animation in the immersive production 'Dream' (Royal Shakespeare Company, 2021). In Mitchell, S, Perry, C, Redmond, S, Torre, L (ed)
The Screens of Virtual Production: What is Real?, Routledge, pp.112-128, ISBN: 9781003463139. DOI:
10.4324/9781003463139-10.
Markova, L (2025)
Virtual Production and the Future of Live Performance. In
The Screens of Virtual Production, Routledge, pp.112-127, DOI:
10.4324/9781003463139-10.
Markova, L (2022)
Remixing transcultural mobilities on screen: Remapping Europe, a Remix Project (2013). In Trandafoiu, R (ed)
Border Crossings and Mobilities on Screen, Routledge, pp.112-124, ISBN: 9781003127703. DOI:
10.4324/9781003127703-12.
Markova, L (2016)
Transcultural aesthetics in European transmedia art projects: On the social effects of artistic co-creativity [Abstract]. In Cuenca, J and Ahedo, R (ed)
Cultural and Creative Industries Social Effects, University of Deusto, pp.377-394, ISBN: 9788415759867.
Markova, L (2013) Pray, Eat, Love or Shop, Eat, Celebrate. Transcultural Trends in Indian Advertising. In Shirwadkar, S (ed)
India through a European Lens, University of Pune, pp.7-40.
Markova, L (2013)
Mapping in-betweenness: On the representation of transculturality in The Edge of Heaven (Fatih Akin 2007). In Klein, L and Tamcke, M (ed)
Europeans In-Between: Identities in a (Trans-) Cultural Space, Euroculture consortium, pp.45-63, ISBN: 9789036754972.
