Loughborough University
Leicestershire, UK
LE11 3TU
+44 (0)1509 263171
Loughborough University

Loughborough University Research Publications


Publications for Kathryn Brown

From (year): To (year):

Download all publications as Word document


Journal Articles

Brown, K (2023) Attention Seeking: Tristan Tzara's Art Critical Prose Poetry, Nottingham French Studies, 62(2), pp.193-209, ISSN: 0029-4586. DOI: 10.3366/nfs.2023.0380.

Brown, K and O’Neill, E (2023) Introduction, Nottingham French Studies, 62(2), pp.119-127, ISSN: 0029-4586. DOI: 10.3366/nfs.2023.0375.

Brown, K (2022) Les arts de l’inégalité. Le pouvoir du collectionneur dans le domaine culturel et les risques de clientélisme, exPositions, 7, 1.

Brown, K (2022) From the Harlem Renaissance to Black Dada: Adam Pendleton's entangled histories, Burlington Contemporary, (7), ISSN: 2631-5661. DOI: 10.31452/bcj7.dada.brown.

Brown, K (2022) Art markets, epistemic authority, and the institutional curation of knowledge, Cultural Studies, 37(4), pp.626-646, ISSN: 0950-2386. DOI: 10.1080/09502386.2022.2030777.

Brown, K (2021) Screen culture, online auctions, and art market spectacle, Visual Studies, 38(3-4), pp.377-388, ISSN: 1472-586X. DOI: 10.1080/1472586X.2021.1915176.

Brown, K (2021) Invoquer Apollinaire: Le Livre d'artiste comme grimoire, Revue d'histoire littéraire de la France, 121(1), pp.161-175, ISSN: 2105-2689.

BROWN, K (2020) Korsmeyer, Carolyn. Things: In Touch with the Past. Oxford University Press, 2019, 232 pp, $49.95 cloth, The Journal of Aesthetics and Art Criticism, 78(1), pp.109-111, ISSN: 0021-8529. DOI: 10.1111/jaac.12696.

Brown, K (2020) Disappearing acts: Fictitious capital, aesthetic atheism, and the artworld, Journal of Visual Art Practice, 19(3), pp.225-240, ISSN: 1470-2029. DOI: 10.1080/14702029.2020.1808336.

Brown, K (2020) When museums meet markets, Journal of Visual Art Practice, 19(3), pp.203-210, ISSN: 1470-2029. DOI: 10.1080/14702029.2020.1811488.

Brown, K (2019) Collage as form and idea in the art criticism of Tristan Tzara, French Studies, 73(4), pp.544-560, ISSN: 0016-1128. DOI: 10.1093/fs/knz180.

Brown, K (2019) Private influence, public goods and the future of art history, Journal for Art Market Studies, 3(1), ISSN: 2511-7602. DOI: 10.23690/jams.v3i1.86.

Brown, K (2019) Modernisme, mystique, mysticisme. Sous la direction de Giacomo Losito et Charles J. T. Talar, French Studies, 73(2), pp.316-317, ISSN: 0016-1128. DOI: 10.1093/fs/knz013.

Brown, K (2019) Review of Carolyn Korsmeyer's Things: In Touch with the Past, Journal of Aesthetics and Art Criticism, 78(1), pp.109-111, ISSN: 0021-8529.

Brown, K (2019) Review of Claire Barbillon et.al, Parent-Elles: Les femmes artistes au risque de la parentele, Nineteenth-Century French Studies, ISSN: 0146-7891.

Brown, K (2019) Review of Giacomo Losito and Charles J.T. Talar (eds), Modernisme, mystique, mysticismeFrench Studies: a quarterly review, 73(2), pp.316-317, ISSN: 0016-1128.

Brown, K (2018) Degas in pieces: Form and fragment in the late Bather pastels, Nineteenth-Century Art Worldwide, 17(2), ISSN: 1543-1002. DOI: 10.29411/ncaw.2018.17.2.5.

Brown, K (2016) Reframing disaster: word and image in Tacita Dean's The Russian Ending, Journal of the Taipei Fine Arts Museum, 31, pp.121-145.

Brown, KJ (2015) Against Autobiography: Henri Matisse's Writings on Art, Life Writing, 12(1), pp.43-58, ISSN: 1751-2964.

Brown, K (2014) Touch and vision in Edgar Degas's Darkfield monotypes, Print Quarterly, XXXI(4), pp.395-405, ISSN: 0265-8305.

Brown, K (2014) Egyptian voyages: Gustave Flaubert, Maxime Du Camp, and Fouad Elkoury, History of Photography, 38(2), pp.161-172, ISSN: 0308-7298. DOI: 10.1080/03087298.2014.890391.

Brown, K (2014) Art and epistemic injustice: Ursula Biemann's remote sensing and black sea files, Art and the Public Sphere, 3(1), pp.45-62, ISSN: 2042-793X. DOI: 10.1386/aps.3.1.45_1.

Brown, KJ (2013) Remembering the Occupation: La Mort et les Statues by Pierre Jahan and Jean Cocteau, Forum for Modern Language Studies, 49(3), pp.286-299, ISSN: 1471-6860.

Brown, KJ (2013) Undoing Urban Modernity: Contemporary Art's Confrontation with Waste, European Journal of Cultural Studies, 16(6), pp.678-691, ISSN: 1460-3551.

Brown, K (2010) Nostalgia and identity: Jules Simon’s La Femme du Vingtième Siècle, Memory Studies, 3(3), pp.224-231, ISSN: 1750-6980. DOI: 10.1177/1750698010364814.

Brown, KJ (2010) The Aesthetics of Presence: Looking at Degas's Bathers, Journal of Aesthetics and Art Criticism, 68(4), pp.331-341, ISSN: 1540-6245.

Brown, KJ (2010) Nostalgia and Identity: Jules Simon and the Twentieth-Century Woman, Memory Studies, 3(3), pp.224-231, ISSN: 1750-6999.

Brown, KJ (2010) Disruption and Delight: Dara Birnbaum's Experiments with Sensory Pleasure, n.paradoxa, 25, pp.5-15, ISSN: 1461-0434.

Brown, KJ (2010) The Artist as Urban Geographer: Mark Bradford and Julie Mehretu, American Art: the journal of the Smithsonian American Art Museum, 24(3), pp.100-113, ISSN: 1549-6503.

Brown, KJ (2009) Tolerating Art in a Liberal Society, The International Journal of Arts in Society, 4(3), pp.155-164.

Brown, KJ (2009) The Book as Object and Event in the Works of John Latham, International Journal of the Book, 6, pp.23-34, ISSN: 1447-9516.

Brown, KJ (2008) Re-Placing Art: Museums and the Street, International Journal of the Inclusive Museum, 1(2), pp.89-96, ISSN: 1835-2014.



Conferences

Brown, K (2019) Baudelaire, Wittgenstein and the Limits of Sense’, Baudelaire and Philosophy. In Baudelaire and Philosophy, Goldsmiths.



Books

Brown, K (2023) Dialogues with Degas Influence and Antagonism in Contemporary Art, Bloomsbury Visual Arts, ISBN: 9781350258693.

Brown, K (2021) Henri Matisse, Reaktion Books, ISBN: 9781789143812.

Brown, K (2020) The Routledge Companion to Digital Humanities and Art History, Routledge, ISBN: 9781138585584.

Brown, KJ (2017) Matisse's Poets: Critical Performance in the Artist's Book, Bloomsbury Publishing USA, ISBN: 9781501326837.

Brown, K (ed) (2016) Perspectives on Degas, Routledge, ISBN: 9781472439970.

Brown, K (2014) Interactive Contemporary Art Participation in Practice, I.B.Tauris, ISBN: 9781780765518.

Asimow, M, Brown, K, Papke, D (2014) Law and Popular Culture International Perspectives, Cambridge Scholars Publishing, ISBN: 9781443861588.

Brown, K (2013) The Art Book Tradition in Twentieth-century Europe, Routledge, ISBN: 9781409420651.

Brown, KJ (2012) Women Readers in French Painting 1870-1890 A Space for the Imagination, Ashgate Publishing, Ltd, ISBN: 9781409408758.



Chapters

Brown, K (2021) Interactive Digital Books and Interpretive Play. In Reproducing Images and Texts, Brill, pp.84-96, ISBN: 9789004468320. DOI: 10.1163/9789004468337_007.

Brown, K and Mitchell, E (2020) Feminist digital art history. In The Routledge Companion to Digital Humanities and Art History, Routledge, pp.43-57, ISBN: 9781138585584.

Brown, K (2020) Introduction [The Routledge Companion to Digital Humanities and Art History]. In The Routledge Companion to Digital Humanities and Art History, Routledge, pp.1-6, ISBN: 9781138585584.

Brown, K (2019) Unfolding the domestic interior: Women, newspapers, and the nineteenth-century city. In Women in the City: French Literature and Culture, University of Wales Press, pp.49-67, ISBN: 9781786834324.

Brown, K (2016) The domestic interior as a tactile space: Jules-Aimé Dalou and Pierre-Auguste Renoir. In Visualizing the Nineteenth-Century Home: Modern Art and the Decorative Impulse, © The Authors. Published by Routledge, pp.0-0, ISBN: 9781472449634.

Brown, KJ (2016) An Anti-Spectacular Art: Degas's Monotypes for La Famille Cardinal. In Hauptmann, J (ed) Degas: A Strange New Beauty (exh. cat.), Museum of Modern Art, pp.122-135.

Brown, K (2016) Photography, building and dwelling: Fiona Tan’s empty house. In Home/Land: Women, Citizenship, Photographies, © Liverpool University Press, pp.0-0, ISBN: 9781781382806.

Brown, K (2016) Introduction [Perspectives on Degas]. In Perspectives on Degas, Routledge, pp.1-14, ISBN: 9781138316140.

Brown, K (2016) Intimacy and exclusion: Degas's illustrations for Ludovic Halevy's La Famille Cardinal. In Perspectives on Degas, Routledge, pp.177-201, ISBN: 9781138316140.

Brown, K (2014) Computer art and the cosmopolitan imagination. In Interactive Contemporary Art: Participation in Practice, I.B. Tauris, pp.37-56, ISBN: 9781780765518.

Brown, K (2014) Renegotiating the West in Joel and Ethan Coen's True Grit. In Law and Popular Culture: International Perspectives, © Cambridge Scholars Publishing, pp.253-268, ISBN: 9781443858106.

Brown, KJ (2013) Balloon Travel, Objectivity, and Empire in Jules Verne's Cinq semaines en ballon. In Watts, A and Guyon, L (ed) Allers-Retours: Nineteenth-Century France in Motion, Cambridge Scholars Publishing, pp.96-110.

Brown, KJ (2013) Influence as Appropriation of the Creative Gesture: Matisse's Poèmes de Charles d'Orléans. In Baldwin, T, Fowler, J, de Medeiros, A (ed) Questions of Influence in Modern European Literature, pp.84-97.

Brown, KJ (2013) Enacting Beauty: Baudelaire, Matisse, and Les Fleurs du mal. In Brown, K (ed) The Art Book Tradition in Twentieth-Century Europe: Picturing Language, Ashgate, pp.31-44.

Brown, KJ (2010) The Spectator as Performer: Degas and the Ethics of Looking. In Watt, D and Dinkgrafe, D (ed) Ethical Encounters: Boundaries of Theatre, Performance and Philosophy, Cambridge Scholars Publishing, pp.174-185.

Brown, KJ (2010) Reading Bodies: Female Secrecy in the Works of Renoir and Degas. In Hallensleben, M (ed) Performative Body Spaces: Corporeal Topographies in Literature, Theatre, Dance and the Visual Arts, Rodopi, pp.157-168.

Brown, KJ (2008) A Space for the Imagination: Depicting Women Readers in the Nineteenth-Century City. In Periton, D, di Palma, V, Lathouri, M (ed) Intimate Metropolis: Urban Subjects in the Modern City, Routledge, pp.58-71.



Internet Publications

Brown, KJ (2017) Livre d'artiste (Artist's Book).



Presentations

Brown, KJ (2016) Collecting, Consuming, and Creating: Debunking the Myths of Taste Making in the Contemporary Art World.

Brown, KJ (2016) Ethics and Interpretative Violence: Matisse’s Unpublished Illustrations for Mallarmé’s ‘L’Après-midi d’un faune’.

Brown, KJ (2016) Tzara et la ‘mythologie moderne’ d’Henri Rousseau.

Brown, KJ (2015) The Art Market as a Knowledge Economy.

Brown, KJ (2015) Affective Exclusion: Fiona Tan's Vox Populi Photographs.

Brown, KJ (2014) Unframing History: Fiona Tan's Disorient.

Brown, KJ (2014) Performing Civic Virtue in the Artist's Book: Henri Matisse's Pasiphaé.

Brown, KJ (2014) Reading the City: Women, Newspapers and Nineteenth-Century Urban Life.

Brown, KJ (2013) Exiled from Light: Undoing Pictorial Space in Edgar Degas's Monotypes of the 1880s.

Brown, KJ (2013) Tactile Pleasure in the Works of Dalou and Renoir.



Other

Brown, K (2017) Fouad Elkoury's Suite Egyptienne, Fouad Elkoury's Suite Egyptienne.

Brown, K (2016) Ink Remix: Contemporary Art from Mainland China, Taiwan and Hong Kong, curated by Sophie McIntyre [Exhibition Review], Ink Remix: Contemporary Art from Mainland China, Taiwan and Hong Kong, curated by Sophie McIntyre [Exhibition Review]. DOI: 10.1386/jcs.5.1.125_5.

Brown, KJ (2015) (Book review) Ara H. Merjian, Giorgio Di Chirico and the Metaphysical City: Nietzche, Modernism, Paris.

Brown, KJ (2015) (Book review) Markus Müller (ed), Camille Pissarro: Mit den Augen eines Impressionisten.

Brown, KJ (2013) (Book review) Albert Boime, Revelation of Modernism: Responses to Cultural Crises in Fin-de-siècle Painting.

Brown, KJ (2012) (Book review) Berys Gaut, A Philosophy of Cinematic Art.

Brown, KJ (2012) (Book review) Stephanie d'Alessandro and John Elderfield, Matisse, Radical Invention: 1913-1917.

Brown, KJ (2009) Picasso et les maîtres at the Grand Palais, Paris (Exhibition Review).

Brown, KJ (2009) Échappées nordiques: Scandinavian and Finnish Artists at the Palais des Beaux-Arts: Lille (Exhibition review).



Getting in touch

Research Office
Loughborough University
Loughborough
Leicestershire
LE11 3TU
researchpolicy@lboro.ac.uk
+44 (0)1509 222453