Books
Dalmasso, F and Baines, R (2026)
Looking for Koltès: Performing rhythm as political ontology, Liverpool University Press.
Dalmasso, F and Schad, J (2021)
Derrida | Benjamin - Two Plays for the Stage,ISBN: 978-3-030-49807-8.
Schad, J and
Dalmasso, F (2021)
Derrida | Benjamin, Springer International Publishing, ISBN: 9783030498061. DOI:
10.1007/978-3-030-49807-8.
Whiteley, G, Kinna, R,
Dalmasso, FTJ (ed) (2019)
Re-imagining citizenship activity book, Politicized Practice/Anarchism/Theatre Activism Research Groups, ISBN: 9781527237643.
Dalmasso, F, Dalmasso, V, Jamet, S (2017)
La syncope dans la performance et les arts visuels, Editions Le Manuscrit, ISBN: 9782304046243.
Chapters
Dalmasso, F (2025) The idea of the collective at world level in the Baroque aesthetics of L’Écharpe rouge. In
Alain Badiou and the Arts, Turia und Kant publishers, pp.?-?.
Dalmasso, F (2022)
The masked comic figure in Alain Badiou's philosophy. In Gray, J and Trahair, L (ed)
Second Nature: Comic Performance and Philosophy, Rowman & Littlefield, pp.37-61, ISBN: 978-1-78661-509-1.
(2022)
Chapter 3 The Masked Comic Figure in Alain Badiou’s Philosophy. In Gray, J and Trahair, L (ed)
Second Nature, Rowman & Littlefield Publishers, pp.37-62, ISBN: 9781786615107. DOI:
10.5771/9781786615107-37.
Schad, J and
Dalmasso, F (2021)
Barely a Film. In
Derrida | Benjamin, Springer International Publishing, pp.183-191, ISBN: 9783030498061. DOI:
10.1007/978-3-030-49807-8_4.
Schad, J and
Dalmasso, F (2021)
Derrida. In
Derrida | Benjamin, Springer International Publishing, pp.15-98, ISBN: 9783030498061. DOI:
10.1007/978-3-030-49807-8_2.
Dalmasso, FTJ (2017)
Remote Spectating - Drone Images and the Spectacular Image of Revolt. In Katsouraki, E and Fisher, T (ed)
Performing Antagonism, Palgrave Macmillan, pp.209-229, ISBN: 9781349950997. DOI:
10.1057/978-1-349-95100-0_11.
Dalmasso, F (2017)
Retrait de l’image et syncopolitique. In
Unknown Parent Title, Le Manuscrit, pp.227-241, ISBN: 9782304046243.
Dalmasso, F (2016)
Koltes et la violence du rythme. In
Violences et désirs dans l’œuvre de Koltès et dans le théâtre contemporain, © University of Lorraine, pp.79-88, ISBN: 978-2-909498-28-7.
Dalmasso, FTJ and Baines, RW (2011) Musical Realizations: a Performance-based Translation of Rhythm in Koltès’ Dans la solitude des champs de coton. In
Staging and Performing Translation, pp.49-71, ISBN: 978-0-230-29460-8.
Liguori, A and Dalmasso, F (Accepted for publication) Digital Storytelling and Social Realism Cinematic Practice as inclusive learning approaches. In M, D and U, H (ed) Filmmaking and Transnational Collaboration in teacher training for foreign languages, Peter Lang.
