Books
Dalmasso, F and Baines, R (2026)
Looking for Koltès: Performing rhythm as political ontology, Liverpool University Press.
Dalmasso, F and Schad, J (2021)
Derrida | Benjamin - Two Plays for the Stage,ISBN: 978-3-030-49807-8.
Schad, J and
Dalmasso, F (2021)
Derrida | Benjamin, Springer International Publishing, ISBN: 9783030498061. DOI:
10.1007/978-3-030-49807-8.
Whiteley, G, Kinna, R,
Dalmasso, FTJ (ed) (2019)
Re-imagining citizenship activity book, Politicized Practice/Anarchism/Theatre Activism Research Groups, ISBN: 9781527237643.
Dalmasso, F, Dalmasso, V, Jamet, S (2017)
La syncope dans la performance et les arts visuels, Editions Le Manuscrit, ISBN: 9782304046243.
Chapters
Iragena, R,
Dalmasso, F, Liguori, A (2026)
A conversation on storytelling as cultural investigation. In
Storytelling Research Methods, Routledge, pp.155-165, DOI:
10.4324/9781003274445-13.
Dalmasso, F (2026)
Die Idee des Kollektivs auf der Höhe der Welt. Zur barocken Ästhetik von L’Écharpe rouge (The idea of the collective at world level in the Baroque aesthetics of L’Écharpe rouge). In Vogt, EM and Zangerl, M (ed)
Alain Badiou und die Künste (Alain Badiou and the Arts), Verlag Turia + Kant, pp.43-70, ISBN: 978-3-98514-144-9.
Dalmasso, F (2022)
The masked comic figure in Alain Badiou's philosophy. In Gray, J and Trahair, L (ed)
Second Nature: Comic Performance and Philosophy, Rowman & Littlefield, pp.37-61, ISBN: 978-1-78661-509-1.
(2022)
Chapter 3 The Masked Comic Figure in Alain Badiou’s Philosophy. In Gray, J and Trahair, L (ed)
Second Nature, Rowman & Littlefield Publishers, pp.37-62, ISBN: 9781786615107. DOI:
10.5771/9781786615107-37.
Schad, J and
Dalmasso, F (2021)
Barely a Film. In
Derrida | Benjamin, Springer International Publishing, pp.183-191, ISBN: 9783030498061. DOI:
10.1007/978-3-030-49807-8_4.
Schad, J and
Dalmasso, F (2021)
Derrida. In
Derrida | Benjamin, Springer International Publishing, pp.15-98, ISBN: 9783030498061. DOI:
10.1007/978-3-030-49807-8_2.
Dalmasso, FTJ (2017)
Remote Spectating - Drone Images and the Spectacular Image of Revolt. In Katsouraki, E and Fisher, T (ed)
Performing Antagonism, Palgrave Macmillan, pp.209-229, ISBN: 9781349950997. DOI:
10.1057/978-1-349-95100-0_11.
Dalmasso, F (2017)
Retrait de l’image et syncopolitique. In
Unknown Parent Title, Le Manuscrit, pp.227-241, ISBN: 9782304046243.
Dalmasso, F (2016)
Koltes et la violence du rythme. In
Violences et désirs dans l’œuvre de Koltès et dans le théâtre contemporain, © University of Lorraine, pp.79-88, ISBN: 978-2-909498-28-7.
Dalmasso, FTJ and Baines, RW (2011) Musical Realizations: a Performance-based Translation of Rhythm in Koltès’ Dans la solitude des champs de coton. In
Staging and Performing Translation, pp.49-71, ISBN: 978-0-230-29460-8.
Liguori, A and Dalmasso, F (Accepted for publication) Digital Storytelling and Social Realism Cinematic Practice as inclusive learning approaches. In M, D and U, H (ed) Filmmaking and Transnational Collaboration in teacher training for foreign languages, Peter Lang.
