Loughborough University
Leicestershire, UK
LE11 3TU
+44 (0)1509 263171
Loughborough University

Loughborough University Research Publications

Publications for Claire Warden

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Journal Articles

Warden, C (2023) julia a. walker. Performance and Modernity: Enacting Change on the Globalizing Stage, Modern Drama, 66(1), pp.140-142, ISSN: 0026-7694. DOI: 10.3138/MD-66-1-REV8.

Malcolm, D, Papathomas, A, Warden, C (2023) Concussion in professional wrestling: agency, structure and cultural change, Qualitative Research in Sport, Exercise and Health, 15(5), pp.585-600, ISSN: 2159-676X. DOI: 10.1080/2159676X.2023.2175898.

Heffernan, C and Warden, C (2022) “Just look at his vascularity:” the dangerous theatricality of the World Bodybuilding Federation, Journal of American Culture, 45(1), pp.18-33, ISSN: 1542-7331. DOI: 10.1111/jacc.13310.

Warden, C (2020) "Queer music-hall sport": all-in wrestling and modernist fakery, Modernism/Modernity, 27(1), pp.147-164, ISSN: 1071-6068. DOI: 10.1353/mod.2020.0006.

Kastleman, R, Riordan, K, Warden, C (2019) Modernism on the World Stage, Modernism/Modernity Print Plus, 4(3), DOI: 10.26597/mod.0126.

Warden, C (2019) “A Glimpse of ‘Another Russia’”: Elisaveta Fen's Chekhov translations, Theatre Survey, 60(3), pp.414-433, ISSN: 0040-5574. DOI: 10.1017/S0040557419000279.

Warden, C (2019) Responses to the Special Issue on Weak Theory, Part V, Modernism/Modernity Print Plus, ISSN: 1071-6068.

Warden, C (2018) “Might all be a work”: Professional wrestling at Butlins holiday camps, The Journal of Popular Culture, ISSN: 0022-3840. DOI: 10.1111/jpcu.12699.

Warden, C, Chow, B, Laine, E (2018) Working Loose: A Response to “Donald Trump Shoots the Match” by Sharon Mazer, TDR/The Drama Review, 62(2), pp.201-215, ISSN: 1054-2043. DOI: 10.1162/dram_c_00764.

Warden, C (2016) John Piper's modernist scenography, Modernist Cultures, 11(2), pp.225-242, ISSN: 2041-1022. DOI: 10.3366/mod.2016.0136.

Warden, C (2015) Moscow, Saint Petersburg, London: Hubert Griffith and the Search for a Russian Truth, Comparative Drama, 49(1), pp.1-21, DOI: 10.1353/cdr.2015.0005.

Warden, C (2013) “We are here to salute the Red Army”: Basil Dean and His Russian Adventures, Theatre Survey, 54(3), pp.347-366, ISSN: 0040-5574. DOI: 10.1017/s0040557413000252.

Warden, C (2010) Politics, War, and Adaptation: Ewan MacColl's Operation Olive Branch1947, Comparative Drama, 44(4), pp.536-538, DOI: 10.1353/cdr.2010.0016.


Warden, C (2016) Migrating modernist performance: British theatrical travels through Russia, Palgrave Macmillan, ISBN: 9781137385697. DOI: 10.1057/978-1-137-38570-3.

Warden, C (2012) British Avant-Garde theatre. DOI: 10.1057/9781137020697.


Warden, C (2022) “Glitter and broken bones”: Professional wrestling, circus, avant-garde and the radical participatory body. In Circus and the Avant-Gardes: History, Imaginary, Innovation, pp.157-172, DOI: 10.4324/9781003163749-13.

Warden, C (2019) Alexander Tairov: Theatricalizing the Theatre. In Skinner, A (ed) Russian Theatre in Practice The Director's Guide, Bloomsbury Publishing, 5, ISBN: 9781474284424.

Warden, C (2019) Drama. In The Cambridge Companion to British Literature of the 1930s, pp.47-62, DOI: 10.1017/9781108646345.004.

Warden, C and Pitches, J (2018) Theodore Komisarjevsky. In Pitches, J (ed) The Great Directors: volume III, Bloomsbury, pp.69-114.

Warden, C (2017) Performance. In Rosendahl Thomsen, M (ed) Literary Theory and Analysis, Bloomsbury, pp.349-360.

Chow, B, Laine, E, Warden, C (2016) Performance and professional wrestling. In Unknown Parent Title, pp.1-225, DOI: 10.4324/9781315676401.

Warden, C (2015) Modernism and European drama/theatre. In The Modernist World, pp.356-364, DOI: 10.4324/9781315778334.

Warden, C (2013) The poetic materiality of fascism on the British stage. In The Aesthetics of Matter: Modernism, the Avant-Garde and Material Exchange, pp.82-93.

Warden, C (2012) 'Dirty old town': The ambivalent northern city in Ewan Maccoll's landscape with Chimneys. In The Literary North, pp.87-106, DOI: 10.1057/9781137026873.

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LE11 3TU
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