Journal Articles

Whiteley, G, Bright, G, Shaw, W (2018) Re-sounding a partisan (micro)politics?, Edinost.

Whiteley, G (2018) From being one to being-in-common: political performativity, proxemics, and the joys of provisional unity, Performance Matters, 4.3, ISSN: 2369-2537.

Whiteley, G and Bright, G (2018) For a contemporary counter-cultural partisan practice!, Journal of Humanity #8: Counter Culture Now Nieuwe Vide, 8.

Whiteley, G (2016) [Schm]alchemy: Magical sites and mischievous objects – episodes in a performative inquiry into the transformative and disruptive potency of stuff, Body, Space and Technology, 15, ISSN: 1470-9120.

Whiteley, GM and Whiteley, GM (2012) Sewing the ‘subversive thread of imagination’: Jeff Nuttall, Bomb Culture and the radical potential of affect, The Sixties: A Journal of History, Politics and Culture Volume 4, Issue 2, 2011, 4(2), pp.109-133, DOI: 10.1080/17541328.2011.625198.

Whiteley, GM (2009) 1968 The Artschool Revolution, The Sixties: A Journal of History, Politics and Culture Vol 2 No 1, pp.107-143.

Whiteley, GM (2006) Sixty Years of Sculpture on the Arts Council Collection, Sculpture Journal, 15(2), pp.303-305, ISSN: 1366-2724.

Whiteley, GM (2005) Adding Value or Valueing Risk; A Report on Hidden Agendas: Art in the Public Realm, Art & Architecture Journal, and also Axis (extended report), 63, pp.60-61, ISSN: 1360-3256.

Whiteley, GM (2005) Surveying the Century - Feature Review of Art Since 1900: Modernism, Anti-Modernism, Postmodernism, The Art Book, 12(4), 6, 17, 18, ISSN: 1368-6267.

Whiteley, GM (2003) Sculpture and Palingenesis - Scultura Lingua Morta, Sculpture Journal, X, pp.109-113, ISSN: 1366-2724.

Whiteley, GM (2002) Contested Monuments - Contested Memories - a report from the Association of Art Historians Annual Conference in Liverpool, Sculpture Magazine, 21(10), p.8, ISSN: 0889-728X.

Whiteley, GM (2002) Vitalism: British Sculptors of the 50s - Exhibition Review, Sculpture Magazine, 21(6), p.77, ISSN: 0889-728X.

Whiteley, GM (2002) Second Skin - Historical Life Casting and Contemporary Sculpture - Exhibition Review, Sculpture Magazine, 21(8), p.88, ISSN: 0889-728X.

Whiteley, GM (2001) Metal, Fire and Magic: Welded Scupture of the Twentieth Century, Sculpture Journal, VI, pp.108-112, ISSN: 1366-2724.

Whiteley, GM (1997) The Impact of the Survivor: The Sculpture of George Fullard 1923-1973, Sculpture Journal, 1(1), ., ISSN: 1366-2724.

Conferences

Whiteley, G (2018) Demand communal luxury daily! History lessons and ‘immense fires of joy, an assemblage of print-based ephemera savouring suspensions of time, cracks in the pavement, and other recent ruptures. A temporary interactive installation of pamphlets and ephemera, accompanied by a pamphleteering provocation at Stages of Utopia and Dissent, 50 years on…symposium at Loughborough In London. In Stages of Utopia and Dissent, 50 years on…, Symposium at Loughborough In London.

Whiteley, G (2018) ‘The Materialities of Protest : the afterlife of pamphlets and printed ephemera’, paper presented as part of a session I convened at the 2-day Protest Memory AHRC network workshop (organised by Emily Keightley) at Loughborough University. In 2-day Protest Memory AHRC network workshop (organised by Emily Keightley) at Loughborough University, Loughborough University.

Whiteley, GM (2017) Ignorant schoolmasters, militant teachers and history lessons: building a community of (artist) scholars and (possibly) another University’ at Radical ReThink event, ICA London, January 2017. In Radical ReThink event, ICA London.

Whiteley, G (2017) Moochers, wasters and vagabonds: the arts of sloth and reverie as oppositional (in)activities - invited keynote speaker at Amsterdam School of Cultural Analysis international workshop ‘Unnecessary, Unwanted and Uncalled for: A Workshop on Uselessness’. In Amsterdam School of Cultural Analysis international workshop ‘Unnecessary, Unwanted and Uncalled for: A Workshop on Uselessness’ at University of Amsterdam, Amsterdam School of Cultural Analysis University of Amsterdam.

Whiteley, GM (Accepted for publication) Vibrancy in Venice: mingling and mangling the matter of activist history. In Association of Art Historians conference, Edinburgh.

Whiteley, GM (Accepted for publication) Vibrancy in Venice: a matter of activist history. In Association of Art Historians 2016, University of Edinburgh.

whiteley, G (2015) From being one to being many: minor acts of dissent and the creation of counterpublics. In Performance & Politics & Protest, University College, Cork, Ireland.

Harland, RG, dos Santos, MCL, Whiteley, G (2015) Dreaming sustainability, realising utopia: ‘convergence’ and ‘divergence’ in art and design practice. In Unmaking Waste 2015: Transforming Production and Consumption in Time and Place, Adelaide, South Australia.

Whiteley, GM (2013) ‘Feralist forays as countercultural resistance: contemporary practices beyond trash aesthetics’. In High Trash: a conference on the normalisation and the origins of Trash Aesthetics, University of Siegen/Siegen Museum, Siegen, Germany, p.0.

Whiteley, GM (2012) ‘Silly, sick, slick: the fall and rise of comedic art’. In Humorous Intent, Oriel Mostyn Gallery, Llandudno, N Wales, pp.0-0.

Whiteley, GM (2012) ‘What rough beast…?’ Monstrous practices of dissent and the ends of conviviality’. In Contested Democracy: contestation and participation in the English-speaking world. A critical evaluation, CREW International Conference, Institut du Monde Anglophone, Universite Sorbonne, Paris 3, p.0.

Whiteley, GM (2011) Political Pranksters, Provocateurs and Pan-ic: Re-connecting Countercultural Practices. In Trickster Strategies in Artists and Curatorial Practice,conference,, University of Wroclaw, Poland, pp.1-1.

Whiteley, GM (2011) ‘Rot: the aesthetic recuperation of the ruin (ed), the wretched and the feckless. In Subversive Beauty, Association of Art Historians Student Summer Symposium,, Loughborough University, pp.1-1.

Whiteley, GM (2011) Is there no alternative? Re-imagining the university. In Educational Spaces of Alterity, Critical Pedagogy Conference, University of Nottingham, pp.1-1.

Whiteley, GM (2010) 'Sounding transitory utopias: improvisation, potenza and praxis'. In Noise, affect and Politics conference, University of Salford.

Whiteley, GM (2010) 'Transitory utopian potential: spontaneous models for creative critical communities'. In Annual conference of the College Art Association (CAA), Artist Citizen: Catalyst Collectives and Utopias, Chicago.

Whiteley, GM (2009) 'Provocative praxis: activism and the political avant-garde'. In Revising/Re-visiting the Avant-Garde, Visual and Cultural Research Centre, Kingston Uni.

Whiteley, GM (2008) 'The 'subversive thread of imagination' and affect: Jeff Nuttall and 1968'. In 1968: A Global Perspective, University of Austin, Texas.

Whiteley, GM (2008) Retrieving 1970's radicalism: Welfare State international and multimedia mayhem. In 1970s British Visual Culture, University of Portsmouth.

Whiteley, GM (2008) 'Scavenging from margins to mainstream: artist as bricoleur'. In University of Paris, Sorbonne symposium on Assemblage, University of Paris.

Whiteley, GM (2007) Situating the insurgent imaginiation: Jeff Nuttall, Bomb Culture and British countercultural practice. In 1968 Activist Art and its Legacies at Association of Art Historians Annual Confernece, University of Ulster Belfast.

Whiteley, GM (2006) 'Radical roots and Street Pickings: Bay Area assemblage now and then'. In Paper presented at Assemblage, Bricolage and the Obsolete symposium, Henry Moore Institute, Leeds.

Whiteley, GM (2004) Does Size Matter? The 'Masculine mystique of the big' - Women, Monumentality and Public Space. In Practice and Identity: Women Sculpture and Place, Dorich House, University of Kingston.

Whiteley, GM (2004) A sculpture of possibility: poetics and politics in urban space. In Association of Art Historians conference, University of Nottingham.

Whiteley, GM (2002) 'Art for Social Spaces: Public Sculpture and Urban Regeneration in Postwar Britain'. In Designing Britain Conference, University of Brighton.

Whiteley, GM (2002) Recording talked lives: straight from the artist's mouth. In Voice and Technology, Slade School of Art, London.

Whiteley, GM (2001) An evening of cross-'Beats', 'cur-ups' and rubbish: British and American Assemblage in the Sixties. In Collaborations: Cultural Influences on British Sculpture, Paul Mellon Centre for Study of British Art London.

Whiteley, GM (1999) A 'comradely salute': Social Realism and the Public Work of Peter Peri. In Figuration/Abstraction: Strategies for Public Sculpture in Europe 1945-1968, Henry Moore Institute Leeds.

Whiteley, GM (1999) Junk, funk and empty space: trashing material values in the 50s and 60s. In Art Historians Conference, Co-convened a strand - 'Evaluating Sculture : Patronage, Production, Consumption', University of Southampton.

Whiteley, GM (1998) Looking forward, looking back? Avant-gardistes, engages and British sculpture in the 1950s. In Paper presented at Association of Art Historians Conference, University of Exeter 1998.

Whiteley, GM (1998) 'Real' workers, monumental heroes or the pursuit of Everyman: Peter Peri and his antecedents. In 'Work and Image' conference, University of Leeds.

Books

Tormey, J and Whiteley, G (Accepted for publication) Art, Politics and the Pamphleteer, Bloomsbury Academic, ISBN: 9781350022454.

Whiteley, G, Kinna, R, Dalmasso, FTJ (ed) (2019) Re-imagining citizenship activity book, Politicized Practice/Anarchism/Theatre Activism Research Groups, ISBN: 9781527237643.

Whiteley, G (2014) Animate objects, articulate things: what next ?, © M.33, ISBN: 9780987167088.

Whiteley, GM (2010) Junk: Art and the Politics of Trash, I B Tauris, ISBN: 9781848854130.

Whiteley, GM (2009) Pan-demonium, AC Institute New York.

Whiteley, GM (ed) (2009) Social, Savage, Sensual: The Sculpture of Ralph Brown, Sansom & Co.Ltd, ISBN: 978-1-904537-95-3.

Tormey, CJ and Whiteley, GM (ed) (2009) Telling Stories: Countering Narrative in Art, Theory and Film, Cambridge Scholars Publishing, ISBN: 978-1-4438-0532-2.

Whiteley, GM (1998) Assembling the Absurd: The Sculpture of George Fullard, Henry Moore Foundation / Lund Humphries, ISBN: 0-85331-736-4.

Whiteley, GM (1997) George Fullard: A Fastidious Primitive - Exhibition Catalogue, Yorkshire Sculpture Park, ISBN: 1-871480-23X.

Artefacts

Whiteley, G, Bright, G, Shaw, W (2018) Alchemy/Schmalchemy – Rhodiacéta (Re-)Response. An improvised sonic performance and discussion at the Re-Imagining Citizenship exhibition in Martin Hall Exhibition Space, 17 October 2018, Re-Imagining Citizenship exhibition in Martin Hall Exhibition Space, October 2018.

Whiteley, GM (2017) Moochers, dreamers, wasters, vagabonds and doodlers: the art of sloth and reverie as oppositional (in)activities - A pamphlet countering the hegemonic ethical imperatives of usefulness in contemporary art, LIve Art Development Agency, January 2017.

Whiteley, GM, bright, NG, shaw W, (2015) Alchemy/Schmalchemy Manifestation 5, Manchester Metropolitan University (MMU)Education & Social Research Institute (ESRI) - Provocations, Improvisations: Encounters between Art, Sciences, & Qualitative Research At the 4th Summer Institute in Qualitative Research, 2015, July 2015.

Whiteley, G (Accepted for publication) Alchemy/Schmalchemy Manifestation VI: Onto-epistemological hoodoo: Putting a Barad text to work.

Chapters

Whiteley, G (2020) The Allure of Pamphilos: The Radical Art of Pamphleteering. In Whiteley, G and Tormey, J (ed) Art, Politics and the Pamphleteer, Bloomsbury, pp.15-35, ISBN: 9781350022454.

Kinna, R and Whiteley, G (2020) Introduction: Art, culture and violence. In Kinna, R and Whiteley, G (ed) Cultures of Violence: Visual Arts and Political Violence, Routledge, pp.1-15, ISBN: 9781138624917.

Whiteley, G (2018) A sculptor for our time: bringing Peter Peri into the light. In Sculpting Art History, Public Monuments and Sculpture Association (PMSA), pp.388-404.

Whiteley, G (2016) Welfare state international. In British Theatre Companies: From Fringe to Mainstream 1965-1979, Bloomsbury, pp.223-251, ISBN: 9781408175446.

Whiteley, GM (2015) Junk: Art and the Politics of Trash. In Lange-Berndt, P (ed) Materiality, Whitechapel Gallery & MIT Press, pp.107-110.

Whiteley, GM (2014) Regimes of Value: Sensuous Stuff, Entangled Objects. Undoing the Order of Things. In Castagnini, L and McInnes, V (ed) Bureau, Margaret Lawrence Gallery, Victorian College of the Arts, pp.157-165.

Whiteley, GM (2014) Situating Junk: Art, Garbage and Trash Ontologies. In Loschiavo
dos Santos, MC (ed) Design, Waste and Dignity, Social and Environmental Perspectives, Editora Olhares, pp.130-145, ISBN: 978-85-62114-35-9.

Whiteley, GM (2014) Situating Junk: Art, Garbage and Trash Ontologies. In dos Santos, MCL (ed) Design, Waste & Dignity, Social and Environmental Perspectives, São Paulo: Editora Olhares, pp.129-145.

Whiteley, GM (2013) ‘Political Pranksters, Provocateurs and Pan-Ic: Re-Connecting Countercultural Practices Trickster Strategies in the Artists' and Curatorial Practice’. In markowska, A (ed) Trickster Strategies in the Artists’ and Curatorial Practice, Polish Institute of World Art Studies & Tako Publishing House Warsaw–Toruń 2013, pp.129-137.

Whiteley, GM (2013) Kitsch as cultural capital: Black Eyes and Lemonade, populist aesthetics in Fifties’ Britain. In Kjellman-Chapin, M (ed) Kitsch: History, Theory, Practice, Cambridge Scholars Press, pp.42-64.

Whiteley, GM (2013) Aleatory Encounters: A Rumination on Trash and New Materialist Ontologies. In Ragasol, T (ed) Chicle y Pega, pp.12-25.

Whiteley, GM (2012) The Knot. In Bader, M, Baurhenn, O, Szreder, K, Voinea, R, Koch, K (ed) The Knot, Jovis,ISBN: 9783868591156.

Whiteley, GM (2012) The Knowledge (Factory) Farm: Biomimicry on Campus. Afterthoughts on contagion, community and conatus. In Green Days: a multidisciplinary project on art and nature, pp.41-45.

Whiteley, GM (2012) ‘Jeff Nuttall’s Carnival of Discord’. In Monk, G (ed) Cusp, recollections of poetry in transition, pp.62-67.

Whiteley, GM (2011) Re-presenting Reality, Recovering the Social: The Poetics and Politics of Social Realism and Visual Art. In Tucker, D (ed) British Social Realism in the Arts Since 1940, Palgrave MacMillan,ISBN: 9780230242456.

Whiteley, GM (2011) La Recuperation comme pratique consacree, ou l'artiste bricoleur. In Jamet-Chavigny, S and Levaillant, F (ed) In L'art de l'assemblage relectures, Presses Universitaires de Rennes, pp.77-86, ISBN: 978-2-7535-1270-2.

Whiteley, GM (2011) La recuperation comme pratique consacree, ou l'artiste bricoleur. In Jamet-Chavigny, S and Levaillant, F (ed) In L'art de l'assemblage relectures, Presses Universitaires de Rennes, pp.77-86, ISBN: 978-2-7535-1270-2.

Whiteley, GM (2010) New Age Radicalism and the Social Imagination: Welfare State International in the Seventies. In Forster, L and Harper, S (ed) British culture and Society in the 1970's: the Lost Decade, Cambridge Scholars Press, Production of University of Portsmouth conference, pp.35-50, ISBN: 978-1443817349.

Whiteley, GM (2009) Preface, and essay: The Body Reconfigured: The Sculpture of Ralph Brown. In Whiteley, DG (ed) Social, Savage, Sensual: The Sculpture of Ralph Brown, Sansom & Co.Ltd,ISBN: 978-1-904537-95-3.

Whiteley, GM (2009) A Poignant Presence: The Sculpture of Ralph Brown in the 1950s and 60s. In Rungwe Kingdon, (ed) Ralph Brown at Eighty: Early Decades Revisited, Pangolin, pp.6-10, ISBN: 978-0-9560491-2-4.

Whiteley, GM (2008) Locating a Temporary Common Space: Cultural Exchanges in Weedpatch. In Holly Crawford, (ed) Artistic Bedfellows: Histories, Theories and Conversations in Collaborative Art Practices, University Press of America, ISBN: 0-7618-4064-8.

Whiteley, GM (2008) Exhibition catalogue: Radical Mayhem: Welfare State International and its Followers. In Unknown Parent Title, Mid-Pennine Arts,..

Whiteley, GM (2008) Locating a Temporary Common Space: Cultural Exchanges in Weedpatch. In Holly Crawford, (ed) Artistic Bedfellows:Histories, Theories and Conversations in Collaborative Art Practices, University Press of America, pp.237-248, ISBN: 978-0-7618-4064-0.

Whiteley, GM (2007) Locating a Temporary Common Space: Cultural Exchanges in Weedpatch. In Unknown Parent Title, CoLab Artists Collective, pp.1-10.

Whiteley, GM (2006) Stephen Brunel Hurst: Truth, Fiction and Histories, Fifty Years of Work - Exhibition Catalogue. In Unknown Parent Title, Beldam Gallery, Brunel University, pp.1-33.

Whiteley, GM (2005) Introduction and Catalogue. In Danielle Olsen, (ed) Sculpture in Harlow, Harlow Art Trust / Pearson, pp.7-112, ISBN: 0-9550741-0-X.

Whiteley, GM (2004) Jim Dine. In Antonia Bostrom, (ed) Encyclopedia of Sculpture - 3 volumes, Fitzroy Dearborn, ., ISBN: 1-57958-248-6.

Whiteley, GM (2004) George Fullard. In Antonia Bostrom, (ed) Encyclopedia of Sculpture - 3 volumes, Fitzroy Dearborn, ., ISBN: 1-57958-248-6.

Whiteley, GM (2004) Assemblage. In Anotnia Bostrom, (ed) Encyclopedia of Sculpture - 3 volumes, Fitzroy Dearborn, ., ISBN: 1-57958-248-6.

Whiteley, GM (2004) Betty Rea. In Matthew, HCG and Harrison, B (ed) Dictionary of National Biography - 60 volumes, Oxford University Press, ., ISBN: 9780198614111.

Whiteley, GM (2004) Peter Peri. In Matthews, HCG and Harrison, B (ed) Dictionary of National Biography - 60 volumes, Oxford University Press, ., ISBN: 9780198614111.

Whiteley, GM (2004) George Fullard. In Matthews, HCG and Harrison, B (ed) Dictionary of National Biography - 60 volumes, Oxford University Press, ., ISBN: 9780198614111.

Whiteley, GM (2003) Inform - Exhibition Catalogue. In Unknown Parent Title, The Crossley Gallery, ., ISBN: 1-900856638.

Whiteley, GM (2003) George Fullard 1923-1973. In Penelope Curtis, (ed) Sculpture in 20th Century Britain: A Guide to Scuptors in the Leeds Collection, Henry Moore Institute, pp.115-117, ISBN: 1-900081-04-0.

Whiteley, GM (2003) Display 1950-1975 On Common Ground: Sculpture and the Viewing Subject. In Penelope Curtis, (ed) Sculpture in 20th Century Britain, Henry Moore Institute, pp.185-199, ISBN: 1900081989.

Whiteley, GM (2003) A Context of Commitment: The Sculpture of Betty Rea. In Unknown Parent Title, Henry Moore Institute, pp.1-12, ISBN: 1-900081-09-1.

Whiteley, GM (1998) Playing with Paradox - essay and catalogue of works. In Middleton, A and Kirby, J (ed) Playing with Paradox, George Fullard 1923-73 (exhibition catalogue), Sheffield Hallam University, Mappin Gallery,Sheffield; Kettle's Yard,Cambridge, pp.1-46, ISBN: 0-86339-764-6.

Whiteley, GM (1996) Biographical Essays of Robert Adams, Adrian Hill, Kenneth Martin, Mary Martin, Eduardo Paolozzi. In Un siecle de scupture anglaise, Jeu de Paume,..

Exhibitions

Whiteley, GM (2017) For & Against! The Art of the Pamphlet, Charnwood Museum, 150 pieces , 26-05-2017 to 26-06-2017.

Whiteley, GM (2013) ‘Regimes of Value: Sensuous Stuff, Entangled Objects, Undoing the Order of Things’ in Regimes of Value (exhibition catalogue), Margaret Lawrence Gallery, Victoria College of the Arts, University of Melbourne and The Substation, Newport, Melbourne, 0 pieces , 14-03-2013 to 13-04-2013.

Whiteley, GM (2013) Cast in Different Light: George Fullard and John Hoskin, Gallery Pangolin, Chalford, 0 pieces , to .

Posters

Whiteley, G, Gill, C, Armstrong, CM, Inglis, M (2016) A potency of life, AHRC Common Ground.

Other

Whiteley, G and Bright, NG (2019) Re-so[u]rceries and Re-sonations at Treignac Projet, France – a [the gathering..the chewing] installation and three performances: 1. Mouvement et commande variateur: Circlips 10E 2. Amplification: Rondelle Z8 U 3. Ensemble de memoire performed live 16 August 2019, on exhibition till 15 September 2019, [the gathering..the chewing] - Whiteley and Bright - produced three live improvised sonic/multimedia performances and an installation - video of live performances + installation were on exhibition at Treignac Project, France till Sunday 15 September 2019.

Whiteley, GM and Tormey, J (2017) For & Against: Art, Politics and the Pamphlet - co-organiser of this RadicalAesthetics-RadicalArt (RaRa) project, we developed a weekend festival (May 2017) with Radar Loughborough University Artscentre which explored and celebrated the radical history and format of the pamphlet and its relationship in contemporary art - research symposium, community events, public workshops and market stalls, artists' commissions.

Whiteley, GM (2016) ‘Resisting an absent future: hopes for the Artschool yet to come!’ at the The Politics of the Artschool, study day Nottingham Contemporary, 2016, A public talk and presentation at the The Politics of the Artschool study day, Nottingham Contemporary part of Unbribable Life II: Art and Activism in former Yugoslavia and the UK.

Whiteley, GM (2012) ‘A thousand lines of flight - postanarchism and contemporary art ', ‘A thousand lines of flight - postanarchism and contemporary art ' – introductory essay for published selected papers and presentations I co-convened (with Kuba Szreder) at the Anarchist Studies Network Conference, Loughborough University, September 2012 in Sanat Dünyamız, in English and Turkish, Winter 2012.

Whiteley, GM (2010) The Shape of the Inconstruable Question - Pen-demonium in Berlin, Pan-demonium offers a viral strategem to disrupt global capitalism and its 'devils', its pan-demons and pan-demics. Documentation at www.knotland.net and www.bricolagekitchen.com.

Whiteley, GM and Bright, G (2010) Pre-posterous Encounters Outbye - the Re-imaging of Sutton Scarsdale Hall, Derbyshire, A web based photo essay project - collaborative proposal for Centre of Attention's Pavilion of Postcontemporary Curating.

Whiteley, GM (2010) Greasepaint Guerillas: Clowning as a Subversive Strategy, Essay on Clowning in anthropology, art, culture onzine.

Whiteley, GM (2009) Pan-demonium - exhibition project, Research Based research project and exhibition presented at AC.

Whiteley, GM (2008) Curation of Radical Mayhem: Welfare State International and its Followers, Curation of retrospective exhibition of 40 years' work (posters, photographs, scripts, videos, documents, books) of WSI in collaboration with University of Bristol. Primary and substantive research undertaken at National Theatre Collection, Bristol..

Whiteley, GM (2007) Mapping the Terrain - A Select Exhibition from the Arts Council Collection, Inhouse catalogue with essay (pamphlet) for group exhibition featuring sculpture, video installation and works on paper. 07.04.07-02.06.07. Exhibition celebrates the end of two major public art programmes - Panopticons and Land..

Whiteley, GM (2006) Graphics and Gifts - an Exhibition of Work by John Fox, Curatorial work, research, interpretation texts for solo exhibition inhouse text. Exhibition (07.04.06-13.05.06) presented the work of John Fox, co-founder of Welfare State International 1968, artist, poet, musician, theatre director..

Whiteley, GM (2006) Allessandro Vinentelli (ed) Eward Kienholz and Nancy Reddin Kienholz, Baltic, 2005.

Whiteley, GM (2005) Chris Townsend (ed) The Art of Rachel Whiteread 2004.

Whiteley, GM (2005) The Life and Works of Jeff Nuttall: 1933-2004, Curation of exhibition at Mid Pennine Arts Gallery, Burnley 04.07.05-13.08.05 and then to Lanternhouse Arts Centre, Ulverston, Cumbria. Media of output: text and photographs..

Whiteley, GM (2002) Art for Social Spaces: Public Sculpture and Urban Regeneration in Postwar Britain - Designing Britain 1945-75, 18 month JISC funded research initiative led by Design History Research Centre, University of Brighton, commissioning 8 authors to create major online electronic and archive research resources (text and digitised image bank) for Art & Design in HEIs..

Whiteley, GM (2001) Steve Hurst - Exhibition Catalogue, Inhouse catalogue with essay (pamphlet) for solo exhibition (20.05.01-17.06.01) of sculpture and drawings by Steve Hurst.

Whiteley, GM (Accepted for publication) Pre-posterious Encounters Outbye - the Re-imaging of Sutton Scarsdale Hall, Derbyshire, A webbased photo-essay project - collaborative proposal for Centre of Attention's Pavilion of Postcontemporary Curating.