Journal Articles
Parker, S and Oliver, S (2023)
Material Matters: Dressmaking and Exhibition-making for “Poets in Vogue”,
Modernism/Modernity, 8(1), ISSN: 1071-6068.
Parker, S (2023)
Rapture and Melancholy: The Diaries of Edna St. Vincent Millay, ed. Daniel Mark Epstein, foreword by Holly Peppe,
American Literary History, 35(2), pp.968-970, ISSN: 0896-7148. DOI:
10.1093/alh/ajad033.
Parker, S (2022)
Gaudy havoc: Iris Tree’s performative decadent modernism,
Feminist Modernist Studies, pp.1-29, ISSN: 2469-2921. DOI:
10.1080/24692921.2022.2090193.
Parker, S (2022)
Reframing Amy Levy: photography, celebrity, and posthumous representation,
Victoriographies, 12(1), pp.52-77, ISSN: 2044-2416. DOI:
10.3366/vic.2022.0447.
Parker, S (2022)
Katharine Tynan as the source of Lionel Johnson ‘barstool’ myth in Ezra Pound’s Hugh Selwyn Mauberley (1920),
Notes and Queries, 69(2), pp.160-162, ISSN: 0029-3970. DOI:
10.1093/notesj/gjac026.
Parker, S (2022)
Behind the Times: Virginia Woolf in Late-Victorian Contexts by Mary Jean Corbett [Book review],
Modernism/modernity, 29(1), pp.205-207, ISSN: 1071-6068. DOI:
10.1353/mod.2021.0081.
Parker, S (2021)
This Rare Spirit: A Life of Charlotte Mew [Book review],
Women's Writing, 30(1), pp.78-80, ISSN: 0969-9082. DOI:
10.1080/09699082.2021.1985236.
Parker, S and French, J (2021)
“But with this I’m embodied”: H.D.’s public photographic portraits, 1913-1958,
Feminist Modernist Studies, 4(1), pp.93-124, ISSN: 2469-2921. DOI:
10.1080/24692921.2021.1873021.
Parker, S (2020)
Review of: Literary and Cultural Alternatives to Modernism: Unsettling Presences ed. by Kostas Boyiopoulos, Anthony Patterson, Mark Sandy,
Modernism/modernity, 27(1), pp.196-199, DOI:
10.1353/mod.2020.0014.
Parker, S (2019)
Review of: Beyond the Victorian/Modernist Divide: Remapping the Turn-of-the-Century Break in Literature, Culture and the Visual Arts, Eds. Anne-Florence Gillard-Estrada and Anne Besnault-Levita,
Victorian Studies, 61(2), pp.331-333, ISSN: 0042-5222. DOI:
10.2979/victorianstudies.61.2.31.
Parker, S (2019)
“It’s just a matter of form”: Edna St. Vincent Millay’s experiments with masculinity,
Humanities, 8(4), 177, ISSN: 2076-0787. DOI:
10.3390/h8040177.
Parker, S (2019)
Olive Custance, nostalgia, and decadent conservatism,
Volupté: Interdisciplinary Journal of Decadence Studies, 2(1), pp.57-81, ISSN: 2515-0073.
Parker, S (2019)
Madeleine C. Seys, Fashion and Narrative in Victorian Popular Literature: Double Threads (New York: Routledge, 2018). 196 pp,
Nineteenth-Century Gender Studies, 15(2), ISSN: 1556-7524.
Parker, S and Stainthorp, C (2018)
Tracing the sculptural legacy of Constance Naden: Memorialisation, gender, and the portrait bust,
Journal of Victorian Culture, ISSN: 1355-5502. DOI:
10.1093/jvcult/vcy046.
Parker, S (2017)
Review of: Oscar Wilde's Chatterton: Literary History, Romanticism, and the Art of Forgery by Joseph Bristow and Rebecca N. Mitchell,
Victorian Studies, 59(2), pp.318-320, ISSN: 0042-5222. DOI:
10.2979/victorianstudies.59.2.07.
Parker, S (2016)
Framing the woman poet: William Archer’s poets of the younger generation (1902),
Cahiers Victoriens et Edouardiens, 84 Automne, ISSN: 0220-5610. DOI:
10.4000/cve.3011.
Parker, S (2016)
Publicity, celebrity, fashion: photographing Edna St. Vincent Millay,
Women's Studies: an interdisciplinary journal, 45(4), pp.380-402, ISSN: 1547-7045. DOI:
10.1080/00497878.2016.1160750.
Parker, S (2014)
Fashion and dress culture,
Literature Compass, 11(8), pp.583-591, ISSN: 1741-4113. DOI:
10.1111/lic3.12160.
Parker, S (2013)
Fashioning Michael Field: Michael Field and late-Victorian dress culture,
Journal of Victorian Culture, 18(3), pp.313-334, ISSN: 1355-5502. DOI:
10.1080/13555502.2013.783413.
Parker, S (2011)
A Marriage of Ideals,
Women: A Cultural Review, 22(4), pp.435-437, ISSN: 0957-4042. DOI:
10.1080/09574042.2011.618707.
Parker, S (2011)
‘A girl's love’: Lord Alfred Douglas as homoerotic muse in the poetry of Olive Custance,
Women: A Cultural Review, 22(2-3), pp.220-240, ISSN: 0957-4042. DOI:
10.1080/09574042.2011.585045.
Parker, S (2008)
‘The Darkness is the Closet in Which Your Lover Roosts Her Heart’: Lesbians, Desire and the Gothic Genre,
Journal of International Women's Studies, 9(2), pp.4-19, ISSN: 1539-8706.
Books
Parker, S (ed) (2025)
Michael Field in Context, Cambridge University Press.
Parker, S (2024)
Form and Modernity in Women’s Poetry, 1895-1922 A Line of Her Own, Routledge, ISBN: 9781032348667.
Parker, S, Funke, J, English, E (ed) (2023)
Interrogating Lesbian Modernism Histories, Forms, Genres, Edinburgh University Press, ISBN: 9781474486057.
Parker, S and Murray, A (ed) (2022)
Michael Field, For That Moment Only and Other Prose Works, MHRA, ISBN: 978-1-781889-73-2.
Parker, S and Vadillo, AP (ed) (2019)
Michael Field: Decadent Moderns, Ohio University Press, ISBN: 978-0-8214-2401-8.
Parker, S (2015)
The Lesbian Muse and Poetic Identity, 1889–1930, Routledge, ISBN: 9781317319993.
Chapters
Parker, S (2025) Preface. In
Parker, S (ed)
Michael Field in Context, Cambridge University Press, pp.00-00.
Parker, S (2025) Michael Field and Modernism. In
Parker, S (ed)
Michael Field in Context, Cambridge University Press, pp.00-00.
Parker, S (2024)
“Trysts with Time”. In
Form and Modernity in Women’s Poetry, 1895–1922, Routledge, pp.41-82, DOI:
10.4324/9781003324218-2.
Parker, S (2024)
Introduction. In
Form and Modernity in Women’s Poetry, 1895–1922, Routledge, pp.1-40, DOI:
10.4324/9781003324218-1.
Parker, S (2024)
“I am the pillars of the house”. In
Form and Modernity in Women’s Poetry, 1895–1922, Routledge, pp.160-197, DOI:
10.4324/9781003324218-5.
Parker, S (2024)
“The snatch of a song that is sung”. In
Form and Modernity in Women’s Poetry, 1895–1922, Routledge, pp.120-159, DOI:
10.4324/9781003324218-4.
Parker, S (2024)
“Women are ever captive”. In
Form and Modernity in Women’s Poetry, 1895–1922, Routledge, pp.83-119, DOI:
10.4324/9781003324218-3.
Parker, S (2024)
Conclusion. In
Form and Modernity in Women’s Poetry, 1895–1922, Routledge, pp.198-209, DOI:
10.4324/9781003324218-6.
Parker, S (2024)
Charlotte Mew’s Self-Effacing Celebrity. In
Palgrave Studies in Nineteenth-Century Writing and Culture, pp.89-113, DOI:
10.1007/978-3-031-62542-8_5.
Parker, S (2023)
Elizabethan lovemaking: college romance and queer anachronism in Edna St. Vincent Millay’s The Lamp and the Bell. In English, E, Funke, J,
Parker, S (ed)
Interrogating Lesbian Modernism: Histories, Forms, Genres, Edinburgh University Press, pp.225-247, ISBN: 9781474486057. DOI:
10.1515/9781474486071.
Parker, S (2020)
The new woman and decadent gender politics. In Murray, A (ed)
Decadence: A Literary History, Cambridge University Press, pp.118-135, ISBN: 9781108426299. DOI:
10.1017/9781108640527.
Parker, S (2020)
The New Woman and Decadent Gender Politics. In
Decadence: A Literary History, pp.118-135, DOI:
10.1017/9781108640527.007.
Parker, S (2019)
Burning the Candle at Both Ends: Edna St. Vincent Millay’s Decadence. In Hext, K and Murray, A (ed)
Decadence in the Age of Modernism, John Hopkins University Press, pp.135-160, ISBN: 9781421429427.
Parker, S (2019)
Cherchez la femme: Looking for lesbian femininities in literature, 1850-1928. In B, L (ed)
Intersections of Gender, Class, and Race in the Long Nineteenth Century and Beyond, Palgrave Macmillan, pp.247-274, ISBN: 9783319967707. DOI:
10.1007/978-3-319-96770-7.
Parker, S (2019)
Sister arts: Michael Field and Mary Costelloe. In
Michael Field: Decadent Moderns, Ohio University Press, pp.146-179, ISBN: 9780821424018.
Parker, S and Vadillo, AP (2019)
Introduction [Michael Field: Decadent Moderns]. In
Michael Field: Decadent Moderns, Ohio University Press, pp.1-34, ISBN: 9780821424018.
Parker, S (2018)
The male wound in fin de siècle poetry. In Lea, AMD (ed)
The Male Body in Medicine and Literature, Liverpool University Press, pp.87-102, ISBN: 9781786940520.
Parker, S (2018)
Cherchez La Femme: Looking for Lesbian Femininities in Literature, 1850–1928. In
Palgrave Studies in Nineteenth-Century Writing and Culture, pp.247-274, DOI:
10.1007/978-3-319-96770-7_11.
Parker, S (2017)
Bittersweet: Michael Field’s sapphic palate. In
Decadence and the Senses, Modern Humanities Research Association,ISBN: 9781781884812.
Parker, S (2015)
Urban economies and the dead woman muse in the poetry of Amy Levy and Djuna Barnes. In
Economies of Desire at the Victorian Fin de Siècle Libidinal Lives, © Taylor & Francis, pp.83-105, ISBN: 9781138826342.
Parker, S (2015)
‘The Muse Writes Back: Lyric Poetry and Female Poetic Identity’. In
Genre Trajectories Identifying, Mapping, Projecting, Palgrave Macmillan, pp.89-108, ISBN: 9781137505484.
Parker, S (2015)
Amy Lowell's appetites: food, consumption and homoerotic desire in Amy Lowell's poetry. In
Fat Sex: New Directions in Theory and Activism, Ashgate Publishing, Ltd. (Routledge) © Helen Hester and Caroline Walters, pp.159-180, ISBN: 9781472432544.
Parker, S (2013)
Whose muse? Sappho, Swinburne and Amy Lowell. In
Algernon Charles Swinburne, pp.193-212, ISBN: 9780719099960.
Parker, S (Accepted for publication) The Muse Writes Back. In Genre Trajectories, Palgrave Macmillan,ISBN: 9781137505484. DOI: 10.1057/9781137505484.0013.
Parker, S (Accepted for publication) Charlotte Mew’s self-effacing celebrity. In Riddell, F, Bratton, F, Girdwood, M (ed) Charlotte Mew: Poetics, Ecologies, Bodies, Palgrave Macmillan.
