Journal Articles
Dalmasso, F (2020)
Public spheres, counterpublics’ fears and syncopolitics,
Humanities, 9(2), 31, ISSN: 2076-0787. DOI:
10.3390/h9020031.
Dalmasso, F (2017)
Ethics of Play in Earpiece Performances by Nature Theater of Oklahoma and Gob Squad,
Performance Philosophy, 3(1), pp.233-233, DOI:
10.21476/PP.2017.3152.
Dalmasso, F (2013)
Badiou's spectator-subject and fireworks politics,
Performance Research: a journal of the performing arts, 18(1), pp.77-83, ISSN: 1469-9990. DOI:
10.1080/13528165.2013.789246.
Baines, R and
Dalmasso, F (2007)
A text on trial: The translation and adaptation of Adel Hakim's Executeur 14,
Social Semiotics, 17(2), pp.229-257, ISSN: 1470-1219. DOI:
10.1080/10350330701311520.
Books
Dalmasso, F and Schad, J (2021)
Derrida | Benjamin - Two Plays for the Stage,ISBN: 978-3-030-49807-8.
Whiteley, G, Kinna, R,
Dalmasso, FTJ (ed) (2019)
Re-imagining citizenship activity book, Politicized Practice/Anarchism/Theatre Activism Research Groups, ISBN: 9781527237643.
Dalmasso, F, Dalmasso, V, Jamet, S (2017)
La syncope dans la performance et les arts visuels, Editions Le Manuscrit, ISBN: 9782304046243.
Chapters
Dalmasso, F (2022)
The masked comic figure in Alain Badiou's philosophy. In Gray, J and Trahair, L (ed)
Second Nature: Comic Performance and Philosophy, Rowman & Littlefield, pp.37-61, ISBN: 978-1-78661-509-1.
Dalmasso, FTJ (2017)
Remote Spectating - Drone Images and the Spectacular Image of Revolt. In Katsouraki, E and Fisher, T (ed)
Performing Antagonism, Palgrave Macmillan, pp.209-229, ISBN: 9781349950997. DOI:
10.1057/978-1-349-95100-0_11.
Dalmasso, F (2017)
Retrait de l’image et syncopolitique. In
Unknown Parent Title, Le Manuscrit, pp.227-241, ISBN: 9782304046243.
Dalmasso, F (2016)
Koltes et la violence du rythme. In
Violences et désirs dans l’œuvre de Koltès et dans le théâtre contemporain, © University of Lorraine, pp.79-88, ISBN: 978-2-909498-28-7.
Dalmasso, FTJ and Baines, RW (2011) Musical Realizations: a Performance-based Translation of Rhythm in Koltès’ Dans la solitude des champs de coton. In
Staging and Performing Translation, pp.49-71, ISBN: 978-0-230-29460-8.
