Journal Articles
Heffernan, C and
Warden, C (2024) “I Quit” Head Trauma, Chair Shots, and North American Professional Wrestling in the 1990s,
Journal of Sport History, 51(2), pp.87-101, ISSN: 0094-1700.
Warden, C (2023)
julia a. walker. Performance and Modernity: Enacting Change on the Globalizing Stage,
Modern Drama, 66(1), pp.140-142, ISSN: 0026-7694. DOI:
10.3138/MD-66-1-REV8.
Malcolm, D, Papathomas, A,
Warden, C (2023)
Concussion in professional wrestling: agency, structure and cultural change,
Qualitative Research in Sport, Exercise and Health, 15(5), pp.585-600, ISSN: 2159-676X. DOI:
10.1080/2159676X.2023.2175898.
Warden, C (2023)
Bumps, Breakages, Bandages: The blood of professional wrestling as transdisciplinary optic,
Performance Research, 28(1), pp.5-10, ISSN: 1352-8165. DOI:
10.1080/13528165.2023.2222350.
Heffernan, C and
Warden, C (2022)
“Just look at his vascularity:” the dangerous theatricality of the World Bodybuilding Federation,
Journal of American Culture, 45(1), pp.18-33, ISSN: 1542-7331. DOI:
10.1111/jacc.13310.
Warden, C (2020)
"Queer music-hall sport": all-in wrestling and modernist fakery,
Modernism/Modernity, 27(1), pp.147-164, ISSN: 1071-6068. DOI:
10.1353/mod.2020.0006.
Kastleman, R, Riordan, K,
Warden, C (2019)
Modernism on the World Stage,
Modernism/Modernity Print Plus, 4(3), DOI:
10.26597/mod.0126.
Warden, C (2019)
“A Glimpse of ‘Another Russia’”: Elisaveta Fen's Chekhov translations,
Theatre Survey, 60(3), pp.414-433, ISSN: 0040-5574. DOI:
10.1017/S0040557419000279.
Warden, C (2019)
Responses to the Special Issue on Weak Theory, Part V,
Modernism/Modernity Print Plus, ISSN: 1071-6068.
Warden, C (2018)
“Might all be a work”: Professional wrestling at Butlins holiday camps,
The Journal of Popular Culture, ISSN: 0022-3840. DOI:
10.1111/jpcu.12699.
Warden, C, Chow, B, Laine, E (2018)
Working Loose: A Response to “Donald Trump Shoots the Match” by Sharon Mazer,
TDR/The Drama Review, 62(2), pp.201-215, ISSN: 1054-2043. DOI:
10.1162/dram_c_00764.
Warden, C (2016)
John Piper's modernist scenography,
Modernist Cultures, 11(2), pp.225-242, ISSN: 2041-1022. DOI:
10.3366/mod.2016.0136.
Warden, C (2015)
Moscow, Saint Petersburg, London: Hubert Griffith and the Search for a Russian Truth,
Comparative Drama, 49(1), pp.1-21, DOI:
10.1353/cdr.2015.0005.
Warden, C (2013)
“We are here to salute the Red Army”: Basil Dean and His Russian Adventures,
Theatre Survey, 54(3), pp.347-366, ISSN: 0040-5574. DOI:
10.1017/s0040557413000252.
Warden, C (2010)
Politics, War, and Adaptation: Ewan MacColl's Operation Olive Branch1947,
Comparative Drama, 44(4), pp.536-538, DOI:
10.1353/cdr.2010.0016.
Chapters
Warden, C (2022)
“Glitter and broken bones”: Professional wrestling, circus, avant-garde and the radical participatory body. In
Circus and the Avant-Gardes: History, Imaginary, Innovation, pp.157-172, DOI:
10.4324/9781003163749-13.
Warden, C (2019) Alexander Tairov: Theatricalizing the Theatre. In Skinner, A (ed)
Russian Theatre in Practice The Director's Guide, Bloomsbury Publishing, 5, ISBN: 9781474284424.
Warden, C (2019)
Drama. In
The Cambridge Companion to British Literature of the 1930s, pp.47-62, DOI:
10.1017/9781108646345.004.
Warden, C and Pitches, J (2018) Theodore Komisarjevsky. In Pitches, J (ed)
The Great Directors: volume III, Bloomsbury, pp.69-114.
Warden, C (2017) Performance. In Rosendahl Thomsen, M (ed)
Literary Theory and Analysis, Bloomsbury, pp.349-360.
Chow, B, Laine, E,
Warden, C (2016)
Performance and professional wrestling. In
Unknown Parent Title, pp.1-225, DOI:
10.4324/9781315676401.
Warden, C (2015)
Modernism and European drama/theatre. In
The Modernist World, pp.356-364, DOI:
10.4324/9781315778334.
Warden, C (2013)
The poetic materiality of fascism on the British stage. In
The Aesthetics of Matter: Modernism, the Avant-Garde and Material Exchange, pp.82-93, DOI:
10.1515/9783110317534.82.
Warden, C (2012)
'Dirty old town': The ambivalent northern city in Ewan Maccoll's landscape with Chimneys. In
The Literary North, pp.87-106, DOI:
10.1057/9781137026873.
