Books
Rees, C (2024)
Martin McDonagh, Routledge, ISBN: 9781032027715. DOI:
10.4324/9781003185093.
Rees, C (2019)
Contemporary British Drama, Red Globe Press/Palgrave Macmillan, ISBN: 9781137610270.
Rees, C (2017)
Adaptation and Nation: Theatrical Contexts for Contemporary English and Irish Drama, Palgrave, ISBN: 978-1-137-42587-4. DOI:
10.1057/978-1-137-42587-4.
Rees, C and Wyllie, A (2017)
The Plays of Harold Pinter, Palgrave, ISBN: 978-0230299641.
Rees, C (ed) (2016)
Masculinity in Crisis: Depictions of Modern Male Trauma in Ireland, Carysfort, ISBN: 9781909325883.
Rees, C (2013)
Martin McDonagh's The Beauty Queen of Leenane, Methuen, ISBN: 9781408173831.
Rees, C, (ed) (2013)
Changes in Contemporary Ireland: Texts and Contexts, Cambridge Scholars, ISBN: 978-1443844727.
Chapters
Rees, C (2024)
Interview with Director Matthew Dunster. In
Martin McDonagh, Routledge, pp.127-136, DOI:
10.4324/9781003185093-6.
Rees, C (2024)
The Pillowman. In
Martin McDonagh, Routledge, pp.137-146, DOI:
10.4324/9781003185093-7.
Rees, C (2024)
Critical Frameworks. In
Martin McDonagh, Routledge, pp.6-39, DOI:
10.4324/9781003185093-2.
Rees, C (2024)
Conclusion. In
Martin McDonagh, Routledge, pp.147-149, DOI:
10.4324/9781003185093-8.
Rees, C (2024)
Introduction. In
Martin McDonagh, Routledge, pp.1-5, DOI:
10.4324/9781003185093-1.
Rees, C (2024)
Films. In
Martin McDonagh, Routledge, pp.69-99, DOI:
10.4324/9781003185093-4.
Rees, C (2024)
The Irish Plays. In
Martin McDonagh, Routledge, pp.40-68, DOI:
10.4324/9781003185093-3.
Rees, C (2024)
The Later Plays. In
Martin McDonagh, Routledge, pp.100-126, DOI:
10.4324/9781003185093-5.
Rees, C (2018) "Martin McDonagh's The Pillowman and the Postmodern Gothic". In
Contemporary Gothic Drama Attraction, Consummation and Consumption on the Modern British Stage, Palgrave Macmillan, pp.61-73, ISBN: 9781349953585.
Rees, C (2016) "When two tribes go to war: The battle of the sexes in Gary Mitchell's post cease-fire dramatic battlefield". In
Masculinity in Crisis: Depictions of Modern Male Trauma in Ireland, Carysfort, pp.15-27, ISBN: 9781909325883.
Rees, C (2015) "Masculinity and the Performance of Gendered Identities in the plays of Marie Jones". In McNulty, E and Maguire, T (ed)
The Theatre of Marie Jones: Telling Stories from the Ground Up, Carysfort, pp.141-154, ISBN: 9781909325654.
Rees, C and Martindale, S (2013) ““It’s in Belgium”: Locating Ireland In Bruges”. In
Changes in Contemporary Ireland: Texts and Contexts, Cambridge Scholars Press, pp.114-130, ISBN: 9781443844727.
Rees, C (2012) "Sarah Kane". In Sierz, A (ed)
Modern British Playwriting: the 1990s, Methuen, pp.112-137, ISBN: 9781408129265.
Rees, C (2010) Theatrical Representations of Easter 1916 and Sir Roger Casement: Flags, walls and cats. In O'Malley-Younger, A and Strachan, J (ed)
Ireland: Revolution and Evolution, Peter Lang, pp.167-83.
Rees, C (2010) 'Representing Acceptability: Power, Violence and Satire in Martin McDonagh's The Lieutenant of Inishmore'. In Lisa Fitzpatrick, (ed)
Performing Violence in Contemporary Ireland, Carysfort, pp.85-103, ISBN: 9781904505440.
Rees, C (2010) The postnationalist crisis: Theatrical representations of Irish anxiety, identity and narrative in the plays of Martin McDonagh and Marie Jones. In Gilsenan, I and Llena, CZ (ed)
Redefinitions of Irish Identity: A Postnationalist Approach, Peter Lang, pp.221-241, ISBN: 9783039115587.
Rees, C (2009) High Art or Popular Culture: Traumatic conflicts of representation and postmodernism in Pinter's The Dumb Waiter. In Brewer, EBMF (ed)
Harold Pinter's The Dumb Waiter, Rodopi, pp.111-125, ISBN: 9789042025561.
Rees, C (2006) 'The Politics of Morality': Martin McDonagh's 'The Lieutenant of Inishmore'. In Chambers, L and Jordan, EE (ed)
The Theatre of Martin McDonagh: A World of Savage Stories, Carysfort Press, pp.130-140, ISBN: 1904505198.
