Journal Articles

Yarrington, A (2018) John Gibson and the Anglo-Italian sculpture market in Rome: letters, sketches and marble, Tate Papers, (29), ISSN: 1753-9854.

Trusted, M and Yarrington, A (2012) ‘Mapping the practice and profession of sculpture in Britain and Ireland, 1851-1951’ Victoria and Albert Museum, London 25-26 February 2011, Sculpture Journal, 21(2), pp.85-86, ISSN: 1366-2724. DOI: 10.3828/sj.2012.19.

Yarrington, A (2009) ‘Under Italian Skies’, The 6th Duke of Devonshire, Canova and the formation of the Sculpture Gallery at Chatsworth House’, Journal of Anglo-Italian Studies, 10, pp.41-62.

Yarrington, A and Noble, C (2009) 'Like a Poet's Dreams" The redisplay of the 6th Duke of Devonshire's Sculpture Gallery at Chatsworth, Apollo, CLXX(570), pp.46-53, ISSN: 0003-6536.

Yarrington, A (2008) Behind every great artist….’ Hidden in the Shadow of the Master: The Model Wives of Cézanne, Monet and 32. Rodin by Ruth Butler, Yale University Press, 320pp, Times Higher Education, no. 1862 (11 September 2008), p. 54, (1862), pp.54-54.

Yarrington, A (2008) A. Boime, Art in the Age of Civil Struggle 1848-1871: A Social History of Modern Art, vol. 4, University of Chicago Press (2007), Times Higher Education, (1856), pp.49-49.

Yarrington, A (2007) Claudine Mitchell (ed.) Rodin: The Zola of sculpture; Catherine Lampert et al (eds.), Rodin, Royal Academy of Arts, London/Kunsthaus, Zurich, Sculpture Journal, 16(2), pp.93-96.

Yarrington, A (2005) ‘Solvitur ambulando’. Lord Leverhulme, sculpture, collecting and display, Journal of British Visual Culture, 6(2), pp.99-124.

Yarrington, A (2002) The Three Graces and the Temple of Feminine Virtue’, Sculpture Journal, 7(April 2002), pp.30-43, ISSN: 1366-2724.

Yarrington, A (1998) K. Eustace, Ideal Heads, Oxford, 1997, The Burlington Magazine, 140(1143), pp.396-397.

Yarrington, A (1997) The Female Pygmalion; Anne Seymour Damer, Allan Cunningham and the writing of a woman sculptor’s life, The Sculpture Journal, 1, pp.32-44.

Yarrington, A (1995) The Flesh Made Word, Art History, 18(4), pp.603-605, ISSN: 0141-6790. DOI: 10.1111/j.1467-8365.1995.tb00647.x.

Yarrington, A (1995) Marie Busco, Sir Richard Westmacott, Sculptor, , The Burlington Magazine, 137(1109), pp.555-556.

Yarrington, A (1993) Chantrey's monument to Frederick Iremonger, Winchester Cathedral Record, (62), pp.39-43.

Yarrington, A (1993) A Child in Time, Women's Art Magazine, (50), pp.9-10.

Yarrington, A (1993) A Child in Time, Women's Art Magazine, (50), pp.9-10.

Yarrington, A (1993) A Child in Time, Women's Art Journal, (50), pp.9-10.

Yarrington, A (1992) The Subversive woman's realm, Times Higher Educational Supplement, (1033), pp.16-16.

Yarrington, A (1988) GLOSSING THE PRIMITIVE, Art History, 11(1), pp.128-132, ISSN: 0141-6790. DOI: 10.1111/j.1467-8365.1988.tb00287.x.

Yarrington, A (1986) THE ART OF EMBELLISHMENT, Art History, 9(4), pp.530-535, ISSN: 0141-6790. DOI: 10.1111/j.1467-8365.1986.tb00220.x.

Yarrington, A (1984) Il Nelson Testimonial Trafalgar Square, Parametro, (130), pp.58-64.

Yarrington, A (1984) VICTORIAN VALUES, Art History, 7(1), pp.110-115, ISSN: 0141-6790. DOI: 10.1111/j.1467-8365.1984.tb00131.x.

Yarrington, A (1983) . ‘Nelson the Citizen Hero: State and public patronage of Monumental Sculpture, 1805-18’, Art History, vol. VI: 3 (1983) pp.315 27, VI(3), pp.315-327, ISSN: 0141-6790.

Conferences

Yarrington, A and Yarrington, A (2014) "A constellation of the most beautiful forms" Bartolini at Chatsworth. In Bietoletti, S, Caputo, A, Falletti, F (ed) Lorenzo Bartolini atti delle giornate di studio, Florence, Italy, pp.61-69.

Yarrington, A, Villani, S, Kelly, J (2013) Travels and Translations Anglo-Italian Cultural Transactions. In , TRAVELS AND TRANSLATIONS: ANGLO-ITALIAN CULTURAL TRANSACTIONS, pp.5-+, ISBN: 978-90-420-3767-0.

Books

Yarrington, A and Everest, KD (ed) (2016) Reflections of Revolution: Images of Romanticism - Routledge Library Editions: Romanticism 28, Routledge Taylor and Francis Ltd, ISBN: 9781138190580.

Yarrington, A, Villani, S, Kelly, J (2013) Travels and Translations, Rodopi, ISBN: 9789401210164.

Sicca, CM and Yarrington, A (ed) (2001) The Lustrous Trade Material Culture and the History of Sculpture in England and Italy, C.1700-c.1860, Leicester University Press Continuum - 3 PLC, ISBN: 9780718502096.

Cavanagh, T and Yarrington, A (2000) Public Sculpture of Leicestershire and Rutland,ISBN: 9780853236450.

Yarrington, A (1998) His Achilles Heel? Wellington and Public Art,ISBN: 9780854326808.

Yarrington, A, Baker, M, Potts, A, Liebermann, I (1994) An Edition of the Ledger of Sir Francis Chantrey, R.A, at the Royal Academy, 1809-1841.

Yarrington, A and Everest, K (ed) (1993) Reflections of Revolution Images of Romanticism, Routledge, ISBN: 9780415077415.

Yarrington, A (1988) The Commemoration of the Hero, 1800-1864 Monuments to the British Victors of the Napoleonic Wars, Taylor & Francis.

Chapters

Yarrington, A (2018) Appreciation of Benedict Read. In Eustace, K, Stocker, M, Barnes, J (ed) Sculpting Art History: Essays in Memory of Benedict Read, PMSA Publishing, pp.446-447.

Yarrington, A (2017) Bringing modern Rome to Chatsworth: The formation of the 6th Duke of Devonshire’s sculpture collection. In Rome, Travel and the Sculpture Capital, c.1770-1825, pp.79-92, ISBN: 9781472420350. DOI: 10.4324/9781315088587.

Yarrington, A (2016) Bringing Modern Rome to Chatsworth. In Macsotay, T (ed) Rome, Travel and the Sculpture Capital, c.1770-1825, Rouledge Taylor and Francis, pp.80-92, ISBN: 9781472420350.

Yarrington, A (2015) Canova and Thorvaldsen at Chatsworth. In K, S, D, D, T, M, C, E (ed) Burning Bright: Essays in Honour of David Bindman, © The authors. Published by UCL Press, pp.77-88, ISBN: 9781910634189.

Yarrington, A (2013) Anne Seymour Damer: a sculptor of 'republican perfection'. In Eger, E (ed) Bluestockings Displayed: Portraiture, Performance and Patronage, 1730-1830, Cambridge University Press, pp.81-99.

Yarrington, A and Yarrington, A (2013) Marble, Memory and Theatre: Portraiture and the Sculpture Gallery at Chatsworth. In Perry, G, Retford, K, Vibert, J (ed) Placing Faces: the portrait and the English country house in the long eighteenth century, pp.96-115.

Yarrington, A (2012) Christopher Hewetson, Sculpture, Commerce, and Sociability in Rome. In Sánchez-Jáuregui Alpañés, MD and Wilcox, S (ed) The English Prize. The Capture of the Westmorland, An episode of the Grand Tour, Yale University Press, pp.106-114, ISBN: 9780300176056.

Yarrington, A (2009) Turisti britannici a Carrara nella prima metà dell'Ottocento. In ‘Sognando il marmo’, Cultura e commercio del marmo tra Carrara, Gran Bretagna e Impero (1820-1920 circa), Pacini Editore, pp.178-186.

Yarrington, A (2008) National Monuments in St Paul’s Cathedral. In Bindman, D (ed) D. Bindman (ed) History of British Art (1600-1870) 3 Vols, Yale University Press Tate Publishing, pp.2:49-2:50.

Yarrington, A (2008) ‘Made in Italy’: Sculpture and the Staging of National Identities at the International Exhibition of 1862 . In Pfister, M and Hertel, R (ed) Performing National Identity: Anglo-Italian Cultural Transactions, Rodopi, pp.75-99.

Yarrington, A (2007) The Poetics of Sculpture: pedestal, verse and inscription. In Gerstein, A (ed) Display and Displacement: Sculpture and the Pedestal from Renaissance to Post-Modern, Courtauld Institute of Art Research Forum in association with Paul Holberton Publishing, pp.73-97.

Yarrington, A (2005) Sculptural Transubstantiations: Refelections upon Wax, Flesh and Stone, Blood Bread and Bone. In Burnham, D and Giaccherini, E (ed) The Poetics of Transubstantiation From Theology to Metaphor, Ashgate, pp.162-171.

Yarrington, A (2004) Wright, Patience Lovell (1725-1786), wax modeller. In Dictionary of National Biography, Oxford University Press, pp.no page number-no page number.

Yarrington, A, Wrigley, R, Craske, M (2004) Popular and Imaginary Pantheons in early nineteenth-century England. In Pantheons: Transformations of a Monumental Idea, Ashgate, pp.107-122.

Wood, NP and Yarrington, AW (2003) 'Ut Sculptura Poesis': British Romantic Poetry and Sculptural Form. In Frangenberg, TE (ed) Poetry on Art: Renaissance to Romanticism, Shaun Tyas, pp.215-235, ISBN: 1900289563.

Yarrington, A (2001) Art in the Dark: viewing and exhibiting sculpture at the Royal Academy. In Art on the Line. The Royal Academy at Exhibitions at Somerset House 1780-1836, Yale University Press pp. 173-187, 264-65. (Publication accompanying the exhibition at the Courtauld Galleries, Somererset House.), Yale University Press, pp.173-187.

Yarrington, A (2001) Anglo-Italian Attitudes: Chantrey and Canova. In Sicca, CM and Yarrington, A (ed) The Lustrous Trade: Material Culture and the History of Sculpture in England and Italy c. 1700-c. 1860Leicester University Press, (2000) pp. 132-155, Leicester University Press Continuum - 3PL, pp.132-155.

Yarrington, A (2000) Sculpture and its Publics. In Oxford History of Western Art, Oxford University Press, pp.340-345.

Yarrington, A (1996) Under the spell of Madame Tussaud Aspects of 'high' and 'low' in 19th-century polychromed sculpture. In Blühm, A and Curtis, P (ed) The Colour of SculptureUnder the spell of Madame Tussaud: Aspects of ‘High’ and ‘Low’ in 19th-century polychromed sculpture”, in et al, The Colour of Sculpture 1840-1910, Amsterdam: Van Gogh Museum, Zwolle: Waanders, (1996) pp. 83-93; 250-251 (publication accompanying the exhibition at the Van Gogh Museum and the Henry Moore Institute), Van Gogh Museum / Wanders Uitgevers, pp.83-92.

Yarrington, A (1996) Fair Images of Sleep. In Sleep in Sculpture Babies from the Bowes, pp.4-5, ISBN: 1 900081 80 6.

Yarrington, A (1989) Public Sculpture and Civic Pride 1800 1830. In Curtis, P (ed) Patronage and Practice: Sculpture on Merseyside, Tate Gallery Publications, pp.22-31.